This package was debianized by Vincent Duvert <vincent.duvert@free.fr> on
Thu, 27 Aug 2009 18:29:27 +0200.

It was downloaded from <http://slime.tuxfamily.org>

Upstream Authors:

    Côme Bernigaud <come.bernigaud@laposte.net>
    Vincent Duvert <vincent.duvert@free.fr>

Copyright:

    <Copyright (C) 2009 Côme Bernigaud, Vincent Duvert>

License:

    Slime Volley is free software; you can redistribute it and/or modify
    it under the terms of the GNU General Public License as published by
    the Free Software Foundation; either version 3 of the License, or
    (at your option) any later version.

    This package is distributed in the hope that it will be useful,
    but WITHOUT ANY WARRANTY; without even the implied warranty of
    MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE.  See the
    GNU General Public License for more details.

    You should have received a copy of the GNU General Public License
    along with this package; if not, write to the Free Software
    Foundation, Inc., 51 Franklin St, Fifth Floor, Boston, MA  02110-1301 USA

On Debian systems, the complete text of the GNU General
Public License can be found in `/usr/share/common-licenses/GPL'.


   Common slimes directory (/usr/share/games/slimevolley/slimes):
   The following files are Copyright (c) 2008 MCMic, and distributed under
   the terms of the Free Art License, version 1.3:
   	slimeJD1.png, slimeJD2.png, slimeJD3.png, slimeJD5.png, slimeJD6.png,
   	slimeJD7.png, slimeJG1.png, slimeJG2.png, slimeJG5.png, slimeJG6.png,
   	slimeJG7.png.
   
   The following file is Copyright (c) 2008 diodio13fr, and distributed
   under the terms of the Free Art License, version 1.3:
   	slimeJG3.png.
   
   The following files are Copyright (c) 2008 A. Bernigaud, and distributed
   under the terms of the Free Art License, version 1.3:
   	slimeJD4.png, slimeJG4.png.
   
   The following files are Copyright (c) 2008 Aratz, and distributed under
   the terms of the Free Art License, version 1.3:
   	slimeJD5.png, slimeJG5.png.
   
   --------------------------------------------------------------------------
   
   "Modern" theme (/usr/share/games/slimevolley/themes/default):
   The following files are Copyright (c) 2008 OrkSovaj, and distributed under
   the terms of the Free Art License, version 1.3:
   	balle.png, fleche.png, jeu.png, menu.png, oeil.png, slimeD.png,
   	slimeG.png, slimeIAD.png, slimeIAG.png.
   
   The following files are Copyright (c) 1996-2008, The K Desktop Environment
   project (http://www.kde.org/), and distributed under the terms of the GNU
   GPL:
   	s_jg_m.wav, s_slime.wav.
   
   The following files are Copyright (c) 2008 Jute Gyte,
   and distributed under the terms of the GNU GPLv3:
   	s_filet.wav, s_mur.wav.
   
   The font file "police.ttf" is the "Chumbly" font from the Debian
   "ttf-aenigma" package.
   Copyright © 1995 - 2008 Brian Kent <aefonts@frontiernet.net>.
   Email conversation giving permission to package and distribute the fonts:
   
   from:	martin f krafft <madduck@debian.org>
   to:	Brian Kent <aefonts@frontiernet.net>
   cc:	Philip Newborough <mail@philipnewborough.co.uk>
   date:	Wed, Jul 2, 2008 at 7:36 AM
   subject:	Redistribution of your Aenigma fonts
   Message-ID: <20080702063643.GA7228@piper.oerlikon.madduck.net>

    Hello Brian,
    
    We would like to redistribute your fonts as part of our Free
    operating system Debian GNU/Linux (http:/debian.org), but we need
    your permission to do so. Previously you told Philip that we can
    "use" any of your fonts, but that does not cover the right to
    "redistribute" them. We need you to properly licence your fonts, or
    else we cannot make them part of our system.
    
    Please take a moment to read this slightly longer email.
    
    On your website, you state that we "may not Sell or Distribute my
    Fonts for profit or alter the font file(s) [.ttf .fon] in any way
    without asking me first."
    
    This makes it impossible for us to put your fonts into our archive
    and give easy access to hundreds of thousands of users, because we
    are a Free software project and *everything* we distribute has to be
    Free itself, allowing people
    
    - to distribute your fonts further, without asking you
    - to create new fonts, based on your fonts, without asking you
    - to make changes to your fonts, provided those changes are noted
     and the original fonts are still attributed to you.
    
    You can find out more about our requirements here:
     http://www.debian.org/social_contract#guidelines
    
    
    Let's assume for a minute that you'd like for us to be able to
    distribute your fonts. The easiest and most sensible way to achieve
    this would be to use an existing licence, such as
    http://www.opensource.org/licenses/artistic-license-2.0.php and make
    your work publicly available under this licence; limiting the
    licence to our project does not work. The advantage of such
    a licence is that it's been scruitinised by lawyers and is being
    used all over the place. I also release all of my software with this
    licence.
    
    Why would you want to do this? Well, the best answer is that it'll
    help your work grow and reach people you wouldn't otherwise reach.
    This means you'll get many more users and your name will be carried
    further. It's also highly likely that you will get feedback and
    patches, proposals for changes, and bug reports.
    
    There are also other benefits. We'd also be happy to give your more
    information, or answer any questions. Or you could have a look at
    Eric S. Raymond's book _The Cathedral and The Bazaar_, if you'd
    prefer that.
    
    We would really like to be able to redistribute your amazing font
    collection! I am hoping to be able to work with you on this.
    
    I can also call you at +1.607.6475726 (I got that from
    aenigmafonts.com whois information) if you'd prefer to talk about
    this on the phone.
    
    Thank you for your time! And I am looking forward to your reply!
    
    --
     .''`.   martin f. krafft <madduck@debian.org>
    : :'  :  proud Debian developer, author, administrator, and user
    `. `'`   http://people.debian.org/~madduck - http://debiansystem.info
     `-  Debian - when you have better things to do than fixing systems
    
    echo '[dO%O+38%O+PO/d0<0]Fi22os0CC4BA64E418CE7l0xAP' | dc
    
    -----BEGIN PGP SIGNATURE-----
    Version: GnuPG v1.4.9 (GNU/Linux)
    
    iEYEARECAAYFAkhrIfcACgkQIgvIgzMMSnWW3QCffhuGltzo3zljfGd91cRLNK1b
    ppgAnRG31iulepoeAikv2LTj0Pp/rveE
    =x36H
    -----END PGP SIGNATURE-----
    
    ----------------------------------------------------------------------
    
    from:	martin f krafft <madduck@debian.org>
    to:	Brian Kent <aefonts@frontiernet.net>
    cc:	Philip Newborough <mail@philipnewborough.co.uk>
    date:	Sat, Jul 5, 2008 at 12:16 PM
    subject:	Re: Redistribution of your Aenigma fonts
    Message-ID: <20080705111604.GC13711@piper.oerlikon.madduck.net>
    
    Hi Brian,
    
    thanks for your reply, and sorry that this issue keeps dragging
    on...
    
    also sprach Brian Kent <aefonts@frontiernet.net> [2008.07.04.2109 +0200]:
    >   Yes, you can redistribute any of my fonts.
    
    As I said, it's not enough to give us the permission, it has to
    extend to all our users who need to be able
    
    - to distribute your fonts further, without asking you
    - to create new fonts, based on your fonts, without asking you
    - to make changes to your fonts, provided those changes are noted
     and the original fonts are still attributed to you.
    
    Is this what you intended when you wrote the above?
    
    --
     .''`.   martin f. krafft <madduck@debian.org>
    : :'  :  proud Debian developer, author, administrator, and user
    `. `'`   http://people.debian.org/~madduck - http://debiansystem.info
     `-  Debian - when you have better things to do than fixing systems
    
    warning: dates in calendar are closer than they appear.
    
    -----BEGIN PGP SIGNATURE-----
    Version: GnuPG v1.4.9 (GNU/Linux)
    
    iEYEARECAAYFAkhvV/QACgkQIgvIgzMMSnVTZACfTUQ+iBADNPfOpIaL0kA7btMz
    lXoAnitTWMgp4YD5SUlELtO8TCpbLdaM
    =oIC8
    -----END PGP SIGNATURE-----
    
    ----------------------------------------------------------------------
    
    From: Brian Kent <aefonts@frontiernet.net>
    To: martin f krafft <madduck@debian.org>
    Date: Sat, 05 Jul 2008 08:01:21 -0400
    Subject: Re: Redistribution of your Aenigma fonts
    Message-ID: <486F6291.18F42EFC@frontiernet.net>
    
    martin f krafft wrote:
    
    > Hi Brian,
    >
    > thanks for your reply, and sorry that this issue keeps dragging
    > on...
    >
    > also sprach Brian Kent <aefonts@frontiernet.net> [2008.07.04.2109 +0200]:
    > >   Yes, you can redistribute any of my fonts.
    >
    > As I said, it's not enough to give us the permission, it has to
    > extend to all our users who need to be able
    >
    > - to distribute your fonts further, without asking you
    > - to create new fonts, based on your fonts, without asking you
    > - to make changes to your fonts, provided those changes are noted
    >   and the original fonts are still attributed to you.
    >
    > Is this what you intended when you wrote the above?
    >
    > --
    >  .''`.   martin f. krafft <madduck@debian.org>
    > : :'  :  proud Debian developer, author, administrator, and user
    > `. `'`   http://people.debian.org/~madduck - http://debiansystem.info
    >   `-  Debian - when you have better things to do than fixing systems
    >
    > warning: dates in calendar are closer than they appear.
    >
    >   ------------------------------------------------------------------------
    >                                    Name: digital_signature_gpg.asc
    >    digital_signature_gpg.asc       Type: application/pgp-signature
    >                             Description: Digital signature
    >                                          (see http://martin-krafft.net/gpg/)
    
    Hi,
    
     Yes, all of the things mentioned above I agree to.
    
    --
    From
    Brian Kent
    aefonts@frontiernet.net
    ÆNIGMA GAMES & FONTS
    http://www.aenigmafonts.com/
       
   --------------------------------------------------------------------------
   
   "Mushrooms" theme (/usr/share/games/slimevolley/themes/mushrooms):
   The following files are Copyright (c) 2008 Camille Bissuel, aka yagraph,
   and distributed under the terms of the GNU GPLv2:
   	balle.png, fleche.png, jeu.png, menu.png, oeil.png, slimeD.png,
   	slimeG.png, slimeIAD.png, slimeIAG.png.
   
   The following files are released under public domain:
   	s_filet.wav, s_jg_m.wav, s_mur.wav, s_slime.wav.
   
   The following file is Copyright (c) 2003 Dustin Norlander and distributed
   under the terms of the GNU GPLv2:
   	police.ttf
   
   On Debian systems, the complete text of the GNU General Public License
   version 2 can be found in `/usr/share/common-licenses/GPL-2'.
   
   The Debian packaging is Copyright (C) 2009, Vincent Duvert
   <vincent.duvert@free.fr> and is licensed under the GPL.
   
   Free Art License 1.3 (FAL 1.3)
   
   Preamble
   
   The Free Art License grants the right to freely copy, distribute, and transform creative works without infringing the author's rights.
   
   The Free Art License recognizes and protects these rights. Their implementation has been reformulated in order to allow everyone to use creations of the human mind in a creative manner, regardless of their types and ways of expression.
   
   While the public's access to creations of the human mind usually is restricted by the implementation of copyright law, it is favoured by the Free Art License. This license intends to allow the use of a work’s resources; to establish new conditions for creating in order to increase creation opportunities. The Free Art License grants the right to use a work, and acknowledges the right holder’s and the user’s rights and responsibility.
   
   The invention and development of digital technologies, Internet and Free Software have changed creation methods: creations of the human mind can obviously be distributed, exchanged, and transformed. They allow to produce common works to which everyone can contribute to the benefit of all.
   
   The main rationale for this Free Art License is to promote and protect these creations of the human mind according to the principles of copyleft: freedom to use, copy, distribute, transform, and prohibition of exclusive appropriation.
   
   Definitions
   
   “work” either means the initial work, the subsequent works or the common work as defined hereafter:
   
   “common work” means a work composed of the initial work and all subsequent contributions to it (originals and copies). The initial author is the one who, by choosing this license, defines the conditions under which contributions are made.
   
   “Initial work” means the work created by the initiator of the common work (as defined above), the copies of which can be modified by whoever wants to
   
   “Subsequent works” means the contributions made by authors who participate in the evolution of the common work by exercising the rights to reproduce, distribute, and modify that are granted by the license.
   
   “Originals” (sources or resources of the work) means all copies of either the initial work or any subsequent work mentioning a date and used by their author(s) as references for any subsequent updates, interpretations, copies or reproductions.
   
   “Copy” means any reproduction of an original as defined by this license.
   
   1. OBJECT 
   The aim of this license is to define the conditions under which one can use this work freely.
   
   2. SCOPE 
   This work is subject to copyright law. Through this license its author specifies the extent to which you can copy, distribute, and modify it.
   
   2.1 FREEDOM TO COPY (OR TO MAKE REPRODUCTIONS) 
   You have the right to copy this work for yourself, your friends or any other person, whatever the technique used.
   
   2.2 FREEDOM TO DISTRIBUTE, TO PERFORM IN PUBLIC 
   You have the right to distribute copies of this work; whether modified or not, whatever the medium and the place, with or without any charge, provided that you:
   attach this license without any modification to the copies of this work or indicate precisely where the license can be found,
   specify to the recipient the names of the author(s) of the originals, including yours if you have modified the work,
   specify to the recipient where to access the originals (either initial or subsequent).
   The authors of the originals may, if they wish to, give you the right to distribute the originals under the same conditions as the copies.
   
   2.3 FREEDOM TO MODIFY 
   You have the right to modify copies of the originals (whether initial or subsequent) provided you comply with the following conditions:
   all conditions in article 2.2 above, if you distribute modified copies;
   indicate that the work has been modified and, if it is possible, what kind of modifications have been made;
   distribute the subsequent work under the same license or any compatible license.
   The author(s) of the original work may give you the right to modify it under the same conditions as the copies.
   
   3. RELATED RIGHTS 
   Activities giving rise to author’s rights and related rights shall not challenge the rights granted by this license.
   For example, this is the reason why performances must be subject to the same license or a compatible license. Similarly, integrating the work in a database, a compilation or an anthology shall not prevent anyone from using the work under the same conditions as those defined in this license.
   
   4. INCORPORATION OF THE WORK 
   Incorporating this work into a larger work that is not subject to the Free Art License shall not challenge the rights granted by this license.
   If the work can no longer be accessed apart from the larger work in which it is incorporated, then incorporation shall only be allowed under the condition that the larger work is subject either to the Free Art License or a compatible license.
   
   5. COMPATIBILITY 
   A license is compatible with the Free Art License provided:
   it gives the right to copy, distribute, and modify copies of the work including for commercial purposes and without any other restrictions than those required by the respect of the other compatibility criteria;
   it ensures proper attribution of the work to its authors and access to previous versions of the work when possible;
   it recognizes the Free Art License as compatible (reciprocity);
   it requires that changes made to the work be subject to the same license or to a license which also meets these compatibility criteria.
   
   6. YOUR INTELLECTUAL RIGHTS 
   This license does not aim at denying your author's rights in your contribution or any related right. By choosing to contribute to the development of this common work, you only agree to grant others the same rights with regard to your contribution as those you were granted by this license. Conferring these rights does not mean you have to give up your intellectual rights.
   
   7. YOUR RESPONSIBILITIES 
   The freedom to use the work as defined by the Free Art License (right to copy, distribute, modify) implies that everyone is responsible for their own actions.
   
   8. DURATION OF THE LICENSE 
   This license takes effect as of your acceptance of its terms. The act of copying, distributing, or modifying the work constitutes a tacit agreement. This license will remain in effect for as long as the copyright which is attached to the work. If you do not respect the terms of this license, you automatically lose the rights that it confers.
   If the legal status or legislation to which you are subject makes it impossible for you to respect the terms of this license, you may not make use of the rights which it confers.
   
   9. VARIOUS VERSIONS OF THE LICENSE 
   This license may undergo periodic modifications to incorporate improvements by its authors (instigators of the “Copyleft Attitude” movement) by way of new, numbered versions.
   You will always have the choice of accepting the terms contained in the version under which the copy of the work was distributed to you, or alternatively, to use the provisions of one of the subsequent versions.
   
   10. SUB-LICENSING 
   Sub-licenses are not authorized by this license. Any person wishing to make use of the rights that it confers will be directly bound to the authors of the common work.
   
   11. LEGAL FRAMEWORK
   This license is written with respect to both French law and the Berne Convention for the Protection of Literary and Artistic Works.
   
   USER GUIDE
   
   - How to use the Free Art License? 
   To benefit from the Free Art License, you only need to mention the following elements on your work:
   [Name of the author, title, date of the work. When applicable, names of authors of the common work and, if possible, where to find the originals].
   Copyleft: This is a free work, you can copy, distribute, and modify it under the terms of the Free Art License http://artlibre.org/licence/lal/en/
   
   - Why to use the Free Art License? 
   1.To give the greatest number of people access to your work.
   2.To allow it to be distributed freely.
   3.To allow it to evolve by allowing its copy, distribution, and transformation by others.
   4.So that you benefit from the resources of a work when it is under the Free Art License: to be able to copy, distribute or transform it freely.
   5.But also, because the Free Art License offers a legal framework to disallow any misappropriation. It is forbidden to take hold of your work and bypass the creative process for one's exclusive possession.
   
   - When to use the Free Art License? 
   Any time you want to benefit and make others benefit from the right to copy, distribute and transform creative works without any exclusive appropriation, you should use the Free Art License. You can for example use it for scientific, artistic or educational projects.
   
   - What kinds of works can be subject to the Free Art License? 
   The Free Art License can be applied to digital as well as physical works.
   You can choose to apply the Free Art License on any text, picture, sound, gesture, or whatever sort of stuff on which you have sufficient author's rights.
   
   - Historical background of this license: 
   It is the result of observing, using and creating digital technologies, free software, the Internet and art. It arose from the “Copyleft Attitude” meetings which took place in Paris in 2000. For the first time, these meetings brought together members of the Free Software community, artists, and members of the art world. The goal was to adapt the principles of Copyleft and free software to all sorts of creations. http://www.artlibre.org
   
   Copyleft Attitude, 2007.
   You can make reproductions and distribute this license verbatim (without any changes).

The Debian packaging is Copyright (C) 2009, Vincent Duvert
<vincent.duvert@free.fr> and is licensed under the GPL, see above.
